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50 Note Nidec/Sankyo Orpheus Movement
Tune DescriptionThe music this movement produces is very delicate, indeed."Fur Elise" is a good example, of the difference between an 18-note and a 50-note music box. Since "Fur Elise" is in 2 parts, there will be a contrast between parts one and two. Part one sounds a little like an 18-note movement in a sense, because the part writing in the arrangement has a very thin texture. When you get to the second part, however, things change rapidly. Instead of a thin melody line, you hear chords, runs, and a very short section of what we call (in the music world) triplets. Even the wonderful 72-note version doesn't have triplets! I really like the fact that Part 2 of the movement is from the second theme of "Fur Elise". This musical arrangement provides a great climax just before you get to the end of the piece. Once again, "Beethoven never sounded so good." 50 Note MovementThis kind of Nidec/Sankyo movement plays two or three tunes (or parts) and is made in Japan. Playing time is usually about 6 minutes. There are fifty notes (or "teeth") on the comb. There is a lot of bass sound in the comb, and the arrangements are usually very spectacular in nature. Our in-house comb machine and Rick's expertise result in Bell-Like Tuning unrivalled in new movements for decades.Customer Testimony"I simply want to take this opportunity to express how fortunate I think I am that I selected them…"- johnvankesteren |
F04
Für Elise |
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All tune arrangements are copyrighted by Nidec/Sankyo Corp. except drum codes beginning in “BMB” which are copyrighted by BetterMusicBoxes.com.
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